untitled
viviti

ψ The Dead Women of Juarez

Intro: This page is for brief biographies on each dream character for the proposed dream table.


www.ondanomala.org

La Calchona:

http://calchona.bravehost.com



"Just as in waking accounts of angels, dreamers describe angelic beings as "shape shifters.." Robert L. Van de Castle, Ph.D.



La Calchona: the woman who by night transformed herself into different animals.


"Many are the versions that have been woven around the fantastic history of Calchona. While some people talk about to her like an ugly and malevolent woman who attacks riders. Others say that, taking form from animal, she attacks disobedient and unfaithful men.
 There is also the version of the woman who by night transforms herself into different animals. Here we present one to you of the stories: it is the history of a marriage that was without problems, except for the two children.
 The family did not know that the woman was a witch and who in her home hid several bottles with creams that, when applying them on her body, allowed her to transform herself into the animal that she chose. At night she placed ointments on her body, turned into an animal and left to take a walk in the fields.
 In the morning she returned, she applied her creams and she returned to her original form. Thus time passed, until a day her children saw the shape shift. Imitating their mother the animal creams were placed on their skins, transforming themselves.
 But when they wanted to return to be young, they did not know how, and when they turned into animalitos they cried. The father woke up with the sobs of the children, His surprise was enormous, because instead of seeing his children he found only small animals.
 Being very intelligence, he managed to find the bottle with potion indicated and so the children transformed themselves again into children. Before La Calchona returned her husband took the creams and hurled them into the waters of the river.
The mother, turned into a black ewe, returned to her house. She began to look for her creams everywhere, and as she could not find them, she forever remained a black ewe.
For that reason, when farmers hear  the bleat of a black ewe in the fields, the farmers know that she is La Calchona. All are used to leaving a food plate for her so that she is fed, since she is totally inoffensive."


La Llorona:

Credit: http://www.arco-iris.com

"The legend of La Llorona (pronounced "LAH yoh ROH nah"), Spanish for the Weeping Woman, has been a part of Hispanic culture in the Southwest since the days of the conquistadores.  The tall, thin spirit is said to be blessed with natural beauty and long flowing black hair.  Wearing a white gown, she roams the rivers and creeks, wailing into the night and searching for children to drag, screaming to a watery grave."

http://www.legendsofamerica.com/HC-WeepingWoman1.html



"La Llorona does exist.  As late as 1957, a small Mexican boy playing along the Rio Grande with two friends encountered her.  It got to be late in the afternoon, and then the sun was suddenly gone and the moon started coming up.  The two friends were afraid of La Llorona and talked of how she would be out and about on a night like this.  They decided to go home, but their friend just scoffed at their fear.

As heavy clouds covered the stars, and everything was still and quiet, a small hole slowly opened up in the clouds to let a hazy, silver moon shine through.  The boy stood dumb struck, as he saw a ghostly white form rise up out of the water.  Then, he heard the sound.  It was a terrible crying sound.  “Mis ninos!”  He wanted to run, but his legs would not obey, and he felt a harsh coldness slowly move up his backbone.  All the hair on the back of his neck stood on end.  His mind screamed for him to run, but his legs would not move.  He stood rooted to the ground, as a tall woman with a long, thin, pale face that was white as chalk with large, deep empty eyes reached out a withe and moaned in a pitiful voice, “Mis ninos!”

The hand took hold of his arm and wrapped long, bony, cold fingers around his wrist.  The fingers began to squeeze tighter and tighter.  Although his fear was intense, he could not move.  It was like a terrible dream where a person just cannot move, and whatever is after you just gets closer and closer.  The boy felt the woman tugging him step by step toward the water, and he was powerless to fight back.

“Mis ninos,” she wailed, and her mouth was as dark and cavernous as the night sky.  She pulled him toward the water, drawing him closer and closer to her.

At that moment a church bell rang.  By the time that first tone had wavered off into the night, the boy felt that the icy grip on his wrist was growing looser.  The bell rang again and again, and it was as if her fingers were melting away.  By the last peal, he was free.

The boy ran home.  When he got home, his mother was very angry, until she saw the whiteness of his face.  She demanded to know what had happened, but the boy could no longer speak. "

http://www.theoutlaws.com/ghosts3.htm


Kokopelli:

http://channeling.bravehost.com

"The Kachina cult has been described as a common denominator in Hopi religion. Nearly every Hopi takes part in it, and Kachinas are a popular and much discussed feature of Hopi life. Hopi Kachinas are supernaturals, embodying the spirits of living things and also the spirits of ancestors who have died and become a part of nature. Kachinas are believed to possess powers over nature, especially the weather, but higher gods limit the extent of their powers. There are still other supernaturals in the Hopi pantheon that are not Kachinas, but which affect Kachinas."

http://www.ikachina.com/kachdef.htm

Credit: http://sunscapescreens.com

Sunscape - 4898 Stockton Hill Road, Kingman, AZ 86401


Kokopelli:

Credit: http://kokopelli.kachina.us 

Copyright © 2005 iKachina

"Kokopelli embodies everything pure and spiritual about music. He was also thought of as a fertility god and traveling prankster. He would visit villages playing his flute, carrying his songs on his back. Everyone would sing and dance the night away. In the morning, when he left, the crops were plentiful and all the women were pregnant."

Credit: http://kokopelli.kachina.us 

Copyright © 2005 iKachina



Nord:

http://query.nytimes.com/gst/fullpage.html?res=950DE2DB1F3FF931A35756C0A96F948260

"In 1950 Mr. Nord, who was known as Big Daddy because of his height (6 feet 8 inches) and his weight (up to 400 pounds), opened the Hungry I nightclub in San Francisco. The club quickly became a showplace for comedians like Lenny Bruce and Mort Sahl."

http://query.nytimes.com



don Lautaro: (Felipe Diaz)

http://www.geocities.com/hischile/lautaro.html


"The Indians, by the advice of Lautaro, attacked Valdivia with different bodies successively, so that they always presented fresh forces."

http://www.famousamericans.net/lautaro/

"Lautaro was a Mapuche military leader and protagonist in the War of Arauco. Some of his tactics are currently studied in several war academies around the world."

Logia Lautaro

"The Lautaro Lodge was a lodge founded by Venezuelan Francisco de Miranda. Inspired by the masonic lodges, the main purpose of the Logia Lautaro was to establish independent governments in the colonial Latin America. The Lodge is named after Mapuche leader Lautaro."

http://en.wikipedia.org/wiki/Logia_Lautaro



Rex:

 

Credit: http://www.pippathew.com

Rex:

"A spirit animal or power animal is the spiritual energy of the animal on earth. The spirit animal is greater than the actual animal because it embodies the essence of that animal. It is the animal. It is not a human form of the animal or an human dressed as an animal, it is the animal spirit itself."

http://www.pathofthefeather.com/pof3.htm 









What is an archetype?

"First of all, an archetype is a pattern: a primordial
psychic ordering of an image that has a collective or
generalized quality; it can be understood, therefore,
to derive from the collective transpersonal objective
psyche – rather than from the personal psyche. That is
one aspect of an archetype. The other aspect to which
we do not pay quite as much attention – but which
deserves emphasis – is that the archetype is a dynamic
energy: it is a living organism, a psychic organism
that inhabits the collective psyche. And the fact that
an archetype is both a pattern and an agency means
that any encounter with an archetype will have these
two aspects (Edinger 1999)."

Timbre of the Spheres: The Bullroarer and the Magic
Wheel

Bethe Hagens, College of Graduate Studies, Union
Institute & University, USA

Edinger, Edward. 1999. Archetype of the apocalypse: A
Jungian study of the Book of Revelation. Chicago: Open
Court.




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